Today, for the first time in months, the sun has been shining brightly. It was far too sunny to be stuck indoors so we decided to get in the car and go for a drive.
I say “drive” but I think “pilgrimage” is more fitting, because we ended up in a place I think I’m becoming slightly obsessed with; the fantastically peculiar Highland Arts Exhibition.
The Highland Arts Exhibition is located in the picturesque village of Ellenabiach, on the Isle of Seil.
The village is a pretty little place with fantastic views out to sea, but the gaudy Exhibition Building sits bang in the middle of it all like some great, unmentionable lump.
If Ellenabiach were a seemingly well-adjusted family, then The Highland Arts Exhibition would be the distant cousin it kept locked in the attic and never spoke about.
At first sight you’d be forgiven for thinking that The Exhibition is nothing more than a glorified gift shop. The windows are cluttered with all kinds of Chinese-made, authentic Scottish tat competing with each other to be rescued from the place; but once you enter it’s hallowed doors into the strangely reverential atmosphere within you’ll see that it’s much more than that.
It is a Gift Shop on Acid.
If you need china Scottie Dogs, bagpipe-shaped fridge magnets, or a plastic cockerel that crows each time you walk past it then you’ve come to the right place.
Need a tea towel with a castle on it? How about little Nessie holding a “No Fishing” sign? What about a stuffed otter? A moldy, flea-bitten bear skin? Half a moldy, flea-bitten zebra skin? A grotesque, blonde-haired “collectors” doll in a velvet dress, with arms as long as it’s body? A two foot high copy of a Greek statuette…with bird poo on it?
What about a Golliwog?
I’m not kidding.
I have watched people walk around the gift shop area of The Highland Arts Exhibition in stunned silence; blinking wildly as the garish shapes and colours destroyed their retinas.
Go beyond the gift shop however and you’ll find yourself in the inner sanctum. The art gallery itself. This where the real fun begins.
The Exhibition itself is entirely dedicated to the artistic output of just one man, C John Taylor. He was the brainchild and glorious creator of the whole place.
C John was born in 1915 and during his lifetime he composed music, wrote poetry, and created obscure “outsider art”, meaning work created by any artist who paints in a naive fashion or has little or no contact with the mainstream art world. C John was so “outside” he was practically on a different continent.
C John’s work is not only obscure but in some cases it’s downright weird, like he painted it by accident…with a spoon.
There are a few pieces in pencil that have been done really well, so he obviously had artistic talent, but for the most part it’s as if he said “Oh, Bugger it!” and just rushed stuff out as quickly as he could.
As far as I can make out there were four subjects he enjoyed painting the most. Landscapes, characters and scenes from the Bible, well-known celebrities of the time (60’s and 70’s), and members of “The Establishment”. Squiff-eyed portraits of Prince Charles and Prime Minister Harold MacMillan hang shoulder to shoulder with Paul Mcartney, Richard Branson, and Snow White (?). The walls are full of them. The ceilings too!
I’m certain that few, if any, of the subjects actually “sat” for their portraits (especially not the ones from the Bible), as most look as if they were copied from photos in magazines or newspapers; and copied at funny angles perhaps with one eye closed, or maybe two.
As I mentioned earlier there is a peculiarly hushed atmosphere within the gallery, which stems from the speechlesness that afflicts the visitors.
People stifle giggles, and God forbid you catch anyone elses eye or that would be it. So you simply walk around the place in silence, eyes wide and lips tightly pursed. It is impossible to avert your eyes from the art, it’s like driving past a traffic accident; and it’s unfathomable that there is an entire gallery dedicated to it.
Or at least I used to think it was unfathomable, but I think I’ve had an epithany.
It’s easy to laugh at C John Taylors work because, not to beat around the bush, his paintings aren’t very good. Best of all he was an eager amateur.
However, it’s plainly obvious he had huge reserves of self-belief, was a fantastic self-promoter, and most importantly had an utterly unqenchable appetite for producing joyously bizarre artworks.
What’s not to like about that?
He was succesful too! At the height of his career he owned a number of galleries, which sold his work all over Scotland so he must have been doing something right.
Thirty years or so later and our tastes are more sophisticated. A majority of his galleries have gone and so has C John. He died at the age of 84 in 1998, on a cruise ship that catered for the “senior” market, just off Tahiti.
Today the Highland Art Exhibition carries on regardless, in a frozen state of faded glory. You could say that it carries on in spite of itself, as I doubt much of C John’s work is ever sold. The eyebrow raising gift shop seems to keep the whole place afloat.
It’s difficult not to like it though, and not just because of the laughs. C John’s family still run the place and all seem genuinely glad you’ve visited; offering out free shortbread as people wander around.
What I can’t figure out is whether his family are aware of how funny the place is. They must have seen and heard people laughing, but do they know why? Do they just accept the fact they run a gallery of strange pictures and pretend not to hear, or are they completely oblivious to it and just think that they have extremely upbeat clientele?
I don’t think I’ll ask.
Before I left the Exhibition I bought myself a little book of C John Taylor’s artwork and poetry.
On the very last page is a black and white photo of the man, resplendent in jaunty cap and thick rimmed glasses.
Beneath it, without a hint of the absurd, the caption says;
“Photographed during a colour television programme.”
Perfect!
Go visit it HERE.
This without doubt in my eyes this is your best written work to-date.
I have, as you know been to this bijou ‘Art Santuary’ on the Isle of Seil. Your description of the venue is a classic and so really hillarious.
This place is a wonderous museum and art gallery and a joy to visit…………………so readers/holiday maker’s, take Andy’s advice and go on this once in a lifetime pilgrimage to the lovely village of Ellenabiach on the Isle of Seil, step back in time and go and gaze at the relics of a byegone age (Well at least the 1960’s & 70’s)
You will not be dissapointed.
Don’t forget to take the children around the Gallery and Museum/Gift Shop and answer all their questions about the artwork and artifacts if you can? (Without Smiling)………………and remember – any person, who can leave the ‘Highland Art Gallery & Museum’ without, so much as a snigger, giggle or none stop laughter for over half-an-hour, will not have appreciated the time and effort that the late C.John Taylor had put into his never to be forgotten artwork.
This Scottish visitor attraction is a real gem and lasting memorial to a man who tried very hard and belived he was a genuine gifted artist.
R.I.P C.John. Taylor
How I enjoyed this description of the bizarre world of C John Taylor,it made me laugh so much and brought back happy memories! Having holidayed in the highlands several times (2000 -2006 inc) I felt compelled to visit the Highland “Arts” Exhibition each time I was there. There seems to be a draw, an almost magnetic pull to the place and a League of Gentlemen-like quality pervades. I wonder what goes through the minds of the coach loads of unsuspecting tourists who are bussed in in frequent droves. Do most of them only visit as it’s part of their coach tour itinerary? I admit to having felt a certain smugness as I emerged back out to the car park, watching them filter in the conservatory style entrance and my knowledge of what lay ahead! Having resisted the urge to buy my most favourite ornament I have EVER seen ( an actual Tennants Super can pouring plastic lager into a pint glass) what I cannot resist however is the gorgeous Butter Tablet sold there,glorious stuff! Anyway thank you for your hilarious blog and long may the H A Exhibition (& British eccentricity) continue!
I’m guessing that what probably goes through the minds of the unsuspecting tourists is “Where can I get a cup of tea?”, or “Where are the toilets?” because they’re mostly of a certain “vintage” shall we say.
I think there’s a deal between the Exhibition and the Coach companies that go there, so the visitors are pretty much a captive audience.
I know about the Tennants Super can caught “mid flow”. It was actually purchased by a private organisation dedicated toward keeping the memory of C.John alive. It can now be seen in the “Contemporary Artists” section of the Tate Liverpool.
Since I wrote that blog post I’ve heard that the free “homemade” tablet and shortbread that they give out there are actually bought in a shop in Oban, and have nothing to do with the Exhibition at all! The special “Highland Arts Exhibition” Shortbread and Tablet that they sell actually comes from the same shop, but they just unwrap it and put it in their own packaging.
Far be it for me to suggest that they should ever do such a thing, but my faith in humanity died a little when I heard that.
p.s. I lied about the Tennants Super 😉
There is (or was) a strange little offshoot of the “Exhibition” in Oban where the Tablet can be bought as can, yet more, taxidermy, tartan and tea towels. Do you see what an impression the world of C John has had on me, it’s nearly 7 years since I last visited and still I recall it all with vivid clarity………. If you happen to visit the mothership on Seil again and that most fabulous of sculptures (Tennants can – yes it’s a sculpture now) still resides then perhaps you would consider posting a picture of it?! That would be marvellous! 😀 P.S. What a stunning area to live in – beautiful:-)
I was photographer on that cruiseship, The Saga Rose, at the time, and remember C.John…I may have a picture or two of him somewhere; I do have one of the books he used to leave in the library for the entertainment of those less…er…gifted than himself. It’s called ‘Prize Winning Poetry’, and is a real mongrel of a collection, featuring ‘Gems From Old Masters’ (Grey’s Elegy), his own Wm. McGonagall-esque efforts (rather like explosions in a punctuation factory), and the proud works of housewives from all over Scotland and the UK, inc. ‘Reality’, an emetic sonnet by Miss Frances Lawton from Warrington, Cheshire. I keep meaning to throw it away but, as Melvyn Bragg (‘BBC TV’) offers on the back of the dust jacket: ‘It is a most original volume’. On the same jacket Edward Heath observes: ‘I am delighted to add it to my collection’. Collection of what, he doesn’t say. There are some reproductions of C.John’s artwork too…he picks up where the Fauvists left off and goes berserk. Only when I’m down to my last farthing will I offer it on eBay.
“McGonagall-esque”, that’s perfect!
There are a few gems hidden amongst the daubs and sundry tartan tat, however is the man plainly had no inner critic and never knew when to scrub a canvas.
Incidentally I could see that portrait of the chef making a decent card, certainly seen a lot worse.
Great and accurate article Andy. My mum was brought up in Taynuilt Argyll so we visited C John’s gallery in Easdale quite a few times on holidays. Mainly for the free toffee and tablet. We even met him once. Think he was on a Fyfe Robertson trip. Weirdly awful poet and painter but, you’re right, the extreme oddness of the place is burnt into my memory forever. Se ur beatha! That was his catchphrase.
We have just visited this maze of “wonders” and have marvelled at the vinyl records for sale, the McGonagall beating poetry and the awesome painting of an Elvis quiffed St James with exposed left nipple. The two portraits, side by side, of the ships captain are of the same captain but awe inspiringly poles apart. There are some hidden gems which have an inner Fauvist quality but to give C.John Taylor his due, he had inner belief………when you cross that “Bridge across the Atlantic” and partake of the free shortbread and tablet you must hope they are the antidote to bring you back to your own reality. A wondrous experience.
steve baskerville-muscutt 8th August 2014
We visited about 10 years ago – it left our limbs weak with hysterical laughter made worse by trying to escape the ladies trying to force feed us the tablet. A great day out.
I was amazed when my girlfriend and I happened across the place by accident while generally just cutting about and exploring Argyll a few weeks ago. I bought one of his dish towels, and had to get my mum an extra one just to be sure. Almost can’t bear to use it to dry dishes, might put it up on the kitchen wall!
Whenever we are in the area we visit this building and it’s frankly extraordinary gallery. This piece is complete accurate in it’s portrayal on the place and the man and made us fall about laughing with recognition.
His grainy little advert was a fixture in the Campbeltown Courier when I was growing up. I took his legend and his book of poems with me when I left. Later on, I was thrown out of the Highland Arts shop in Inveraray, in the late 80s. The ladies of the shop refused my money! “We know your sort, you’re just here to mock” Me, I was all innocent, but they clearly didn’t like the cut of my jib. I still have the little book of poems though. No-one is taking that from me!
My sons and I were also ejected from the Inveraray shop about 1993; they had graduated from University. We had our usual chortle and the lady told us to leave, and added ‘while you are slumming it here, C John is on a luxury cruise in the Pacific!’ We had been visiting C John’s emporiums – he had two in Luss! since our first visit in Ellanbeich in 1974 when the boys were small. A joyous family memory. C John loved the place and there is a great deal to love. He is in buried in the cemetery on the road from Balvicar to Ellanbeich . But he brought trade and development to the area and we witnessed on one occasion Gregor Fisher and Rikki Fulton being filmed for an edition of Para Handy.
There’s a C John outpost at Luss, Loch Lomond, where soap opera Take the High Road was filmed. Again, centred on a gift shop, with freaky paintings of petrified kids, and magic herbs and jam containing C. John’s elixir (presumably mashed monkey eyeballs) and cassette tapes. A sign warns customers of the repercussions to following accidental damage to the unique gifts. Another sign warns customers must not browse, rather they must follow a pre-planned route about the floor. Staff man the till as if it were the sacred stone of the Order of the Unicorn. The disappointed exit, bereft of goods and crawl to the other shop in Luss, which was the general store in the aforementioned soap opera….only to find it is also operated by the C John cultists.
Went today. There are no words….😳😳😳😳😳😳
Many years ago I travelled with Lochs and Glens Ltd who I believe are still about. Quite a few of their itineraries include a visit to Seil Island and the Highland Arts Centre there. It is a beautiful drive down from Oban, the scenery is quite stunning. I always came away from there with something, normally 45rpm records and scented candles and soaps. I’m not interested in art so I wasn’t really put off by our courier who mentioned that CJT “was an artist, but I’ll leave it up to you all to make your minds up about that” which I suppose was a bit unfair, but it’s not always about art. I’m now severely disabled and housebound but I still have fond memories about my annual visits to the Highlands and CJT/Highland Arts is one of them.
I had more experience of his shop in Luss (back in the 70s). In retrospect it’s strangely hard to laugh at the quality (or otherwise) of his work. On one hand it’s all truly preposterous; but on the other, his infectious self-belief gave the whole thing a kind of ethereal momentum that propelled it some way towards respectability. We all love a trier. One has to admit something akin to grudging respect at the very least. Now with the passing of time his legacy threatens to vanish like the whiff of fresh shortbread on a stiff breeze, and I for one feel the need to bottle that essence, or or at least acknowledge my respect, before it blows away forever. C John… You were brilliant.
Andy
I’d like to open with a phrase from the Great Man Himself but can’t bring myself to do it. My parents dragged us kids round his ‘studio’ in the 80’s and we were traumatised. Repeatedly.
Poetry stuck on walls, pictures of the benefactor ‘as seen on nationwide in 1971’ on the ceiling and enough tourist tat to sink the whole damn island.
We came out shellshocked.
Years later we came across a shop of his elsewhere in the country and through tears from assessing his ‘art’ vs ‘tourist revenue ‘ from outside we received a stern telling off from one of his ladies telling us ‘he has the last laugh as he’s on a cruise right now’.
She didn’t get the irony or why we laughed even more. Bless.
Anyway I’m subjecting my own kids to the horror in a few weeks. Your wonderfully written tribute has set my mind to repeat the horror and inflict it on my kids. Nothing 10 years of tgeraoy won’t solve.
Thanks!
Bob
That was Freudian. I meant.. Th th.. therapy.
I’m sorry to report the poetry has left the building. We went at easter and its a derelict empty ruin. A few choice snippets on the glass still, but nowt else. OK morally and artistically thats no change but its at least finally closed. The shop next door said yes the Highland Arts trasit was still there but “even thats broken”
The end.
Yes, I think it closed down almost a year ago. The authorities were called in as the owners were found guilty of committing crimes against good taste.
Truly that was the “Day the Art died”….or something.
Apparently it’s going to become a HQ for the excellent Seafari Wildlife Tours. So swings and roundabouts I suppose 🙂
Photographic proof, inc the delightfully broken artisan-Transit and the poignant sellotaped clippings on the door glass are available! I’ll upload them and share the link. Churchill has never looked so p*ssed off.
Andy, thank you for this. Perfectly observed. We used to holiday at Kilmelford which is just along the road, and every year my Dad would drag us along to explore the place.
When he was alive CJT would apear in doorways, from behind curtains etc “You’ve won a prize’,10% off shortbread, today only” the place was utterly bizarre.
As I recall CJT used to have an eager ‘following’ via the letters page (or was it the Tom Shields column?) of the Glasgow Herald back in the day.
I seem to remember a poem along the lines of ‘ I once met Russell Harty, at a friends Dinner Party’.
I think CJT had the last laugh though, those shops must have made him a mint.
Great work.
Bereft it is no more. Visited both Oban and Seil island shops on family holidays from the early 70s onwards, eventually visiting with my own children. In later visits, we went for a browse and the free shortbread and fudge, but always came home with some. In earlier visits, mid teens, we chose to go there for our holiday present and I wore a little Celtic cross from there or years. I get a cosy glow thinking about the place as its so tied up with rosy memories of those trips and my family – parents and sibling, now gone. From seeing my father, with a seemingly very small head trying on deer stalker hats that sat down to his nose. To giggling like mad with my sister and our stunned young husbands when we showed them the “art” then had to run from the disapproving shop ladies. I will never forget it and mourn the passing.
Holding back the giggles whilst immersed in the sombre ambience of the shop/gallery should have been recognised as an Olympic sport.
The free shortbread was a treat….until you ralised that it was Walkers, and was kept warm by being placed on a plate above a hot light bulb in an effort to pass it off as “Home made”
My late grandfather had a Croft at Easdale. They used to call C John Taylor The Darry Man as he used to sell Darry boot polish at one point
I worked at ETW Dennis in the 70’s and 80’s who printed C.Johns work as postcards, calenders etc. He actually came into the works repro dept for a photo. Our works director was there for the photo session. C John held a brush in the air and said ‘ How would you like the great artist to stand!
I wouldn’t expect anything less to be honest :))
Hilarious. We remember visiting the place about 40 years ago and your essay brought it all back to us in vivid colours. I see it is now closed. What a pity. It was as curious a curiosity as one is ever likely to come across.