Busy, busy, busy.

I know, I know…I’ve been neglecting my “blogging” duties, again (see here for further evidence) but this time I’ve got a cast iron excuse.
I have been hugely, extremely, phenomenally, extraordinarily busy. I have been so busy that my skin looks like pale tissue paper and my eyes are the size of plates! I’m sure I’ve mentioned before that I prefer to work in a darkened room, by no other light except that from my monitor; so any prolonged amount of time spent in that sort of working environment really plays havoc with one’s boyish complexion!

Now I’ve a tiny break in my workload I thought I’d fill you in on what I’ve been doing and show you some new bits and pieces.
First off I finished illustrating a play written by Julia Donaldson ( the current Children’s Laureate and the author of “The Gruffalo”, of course) called “The Fish in the Tree”, which is published by Pearson. It was terribly exciting illustrating something written by her, but there was a little hiccup at the start.
The initial designs I did had all the characters wearing contemporary clothes, when they should have been wearing more medieval, old-fashioned stuff. Doh!

Anyway, with a bit of tweaking they went from looking like this…

Must try harder Mr Elkerton.

to this.

Much better.

Andy’s Tip of the Day: When you get an art brief read it slowly and then re-read it, slower still. Do not excitedly jump in feet first, especially when it’s for Julia Donaldson.

I’ve also done a couple of stories for Macmillan Publishing.
The first was about a little group of very adventurous toys, and what happens when they go out into the world.
Here they are.

The second was about a very regal elephant and her canine best friend.


Here’s a book cover for Oxford University Press. The Lunar Buggy was thought to be a bit too toy-like at first, so I tried to add a bit of realism to it.

I’ve also done a book for Scholastic, lots of educational stuff for Nelson Thornes, and a couple of book covers for Usborne. None of these are currently in circulation, so I can’t show you any at the moment.

Next up I’m doing a big project that’s going to last something like a year and a half.
Who knows, by mid 2014 I might be so pale that I’m transparent!
Hmm…I bet there’s a book in there somewhere.

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The Dinosaur Who Lost His Roar

Six years ago I illustrated a little, A5 sized, hardback book for Usborne Children’s Books.
It was a story called “The Dinosaur Who Lost His Roar” and was written by the uber-talented and prolific Russell Punter.

Yesterday, a parcel arrived at the house and inside were six, full-sized picture book versions of the book, which I had no idea were going to be made. Result!

It doesn’t come out until August, but “Hooray” for Usborne and “Hooray” for unexpected presents.

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A Public Information Announcement.

Please be aware that Laundrettes can be dangerous places.
Luckily, the people who work in them are highly trained.

A Laundrette yesterday. Click to bigify.

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April 23, 2012 · 8:11 pm

The Astounding world of C John Taylor.

Today, for the first time in months, the sun has been shining brightly. It was far too sunny to be stuck indoors so we decided to get in the car and go for a drive.
I say “drive” but I think “pilgrimage” is more fitting, because we ended up in a place I think I’m becoming slightly obsessed with; the fantastically peculiar Highland Arts Exhibition.

The Highland Arts Exhibition is located in the picturesque village of Ellenabiach, on the Isle of Seil.
The village is a pretty little place with fantastic views out to sea, but the gaudy Exhibition Building sits bang in the middle of it all like some great, unmentionable lump.
If Ellenabiach were a seemingly well-adjusted family, then The Highland Arts Exhibition would be the distant cousin it kept locked in the attic and never spoke about.

Build it and they will come.

At first sight you’d be forgiven for thinking that The Exhibition is nothing more than a glorified gift shop. The windows are cluttered with all kinds of Chinese-made, authentic Scottish tat competing with each other to be rescued from the place; but once you enter it’s hallowed doors into the strangely reverential atmosphere within you’ll see that it’s much more than that.
It is a Gift Shop on Acid.

If you need china Scottie Dogs, bagpipe-shaped fridge magnets, or a plastic cockerel that crows each time you walk past it then you’ve come to the right place.
Need a tea towel with a castle on it? How about little Nessie holding a “No Fishing” sign? What about a stuffed otter? A moldy, flea-bitten bear skin? Half a moldy, flea-bitten zebra skin? A grotesque, blonde-haired “collectors” doll in a velvet dress, with arms as long as it’s body? A two foot high copy of a Greek statuette…with bird poo on it?
What about a Golliwog?

I’m not kidding.

I have watched people walk around the gift shop area of The Highland Arts Exhibition in stunned silence; blinking wildly as the garish shapes and colours destroyed their retinas.

Go beyond the gift shop however and you’ll find yourself in the inner sanctum. The art gallery itself. This where the real fun begins.

The Exhibition itself is entirely dedicated to the artistic output of just one man, C John Taylor. He was the brainchild and glorious creator of the whole place.

The great man himself

C John was born in 1915 and during his lifetime he composed music, wrote poetry, and created obscure “outsider art”, meaning work created by any artist who paints in a naive fashion or has little or no contact with the mainstream art world. C John was so “outside” he was practically on a different continent.

C John’s work is not only obscure but in some cases it’s downright weird, like he painted it by accident…with a spoon.
There are a few pieces in pencil that have been done really well, so he obviously had artistic talent, but for the most part it’s as if he said “Oh, Bugger it!” and just rushed stuff out as quickly as he could.

As far as I can make out there were four subjects he enjoyed painting the most. Landscapes, characters and scenes from the Bible, well-known celebrities of the time (60′s and 70′s), and members of “The Establishment”. Squiff-eyed portraits of Prince Charles and Prime Minister Harold MacMillan hang shoulder to shoulder with Paul Mcartney, Richard Branson, and Snow White (?). The walls are full of them. The ceilings too!

Margaret Thatcher
(I think)

Gordon Ramsay
(not really)

I’m certain that few, if any, of the subjects actually “sat” for their portraits (especially not the ones from the Bible), as most look as if they were copied from photos in magazines or newspapers; and copied at funny angles perhaps with one eye closed, or maybe two.

As I mentioned earlier there is a peculiarly hushed atmosphere within the gallery, which stems from the speechlesness that afflicts the visitors.
People stifle giggles, and God forbid you catch anyone elses eye or that would be it. So you simply walk around the place in silence, eyes wide and lips tightly pursed. It is impossible to avert your eyes from the art, it’s like driving past a traffic accident; and it’s unfathomable that there is an entire gallery dedicated to it.

Or at least I used to think it was unfathomable, but I think I’ve had an epithany.

It’s easy to laugh at C John Taylors work because, not to beat around the bush, his paintings aren’t very good. Best of all he was an eager amateur.
However, it’s plainly obvious he had huge reserves of self-belief, was a fantastic self-promoter, and most importantly had an utterly unqenchable appetite for producing joyously bizarre artworks.
What’s not to like about that?
He was succesful too! At the height of his career he owned a number of galleries, which sold his work all over Scotland so he must have been doing something right.

Thirty years or so later and our tastes are more sophisticated. A majority of his galleries have gone and so has C John. He died at the age of 84 in 1998, on a cruise ship that catered for the “senior” market, just off Tahiti.

Today the Highland Art Exhibition carries on regardless, in a frozen state of faded glory. You could say that it carries on in spite of itself, as I doubt much of C John’s work is ever sold. The eyebrow raising gift shop seems to keep the whole place afloat.
It’s difficult not to like it though, and not just because of the laughs. C John’s family still run the place and all seem genuinely glad you’ve visited; offering out free shortbread as people wander around.
What I can’t figure out is whether his family are aware of how funny the place is. They must have seen and heard people laughing, but do they know why? Do they just accept the fact they run a gallery of strange pictures and pretend not to hear, or are they completely oblivious to it and just think that they have extremely upbeat clientele?

I don’t think I’ll ask.

Before I left the Exhibition I bought myself a little book of C John Taylor’s artwork and poetry.
On the very last page is a black and white photo of the man, resplendent in jaunty cap and thick rimmed glasses.
Beneath it, without a hint of the absurd, the caption says;
“Photographed during a colour television programme.”

Perfect!

My new favourite book.

 

After a day of "art".
Still stupid...but happy!

Go visit it HERE.

 

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British History 101 and a half

Homework was never like this when I was a kid.
(subtitles available if required!)

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Once Upon a Time…

I’m currently writing and illustrating a picture book, so I thought I’d show you the first double page spread.
The story is about a little boy who is mad about monsters, and what happens when an angry bunch of them descend upon the castle he lives in. It’s set in ancient Scotland (I live here, so I might as well stick with what I know) so there’s lots of clansmen, castles and spooky landscapes for me to get my teeth into.

From this…

Pencil rough

To this.
Click on either for a bigger image.

Finished image, just waiting for the text.

This first spread basically sets the scene for the story. I’ve tried to capture a hint of the landscape and colours you find up here, although they could probably be desaturated a bit. There’s the obligatory Highland Cows too! You can’t have a story set in Scotland without them.

My workflow has changed a little recently.
My old PC was really huffing and puffing to keep up with all that I was asking it to do, so I spent far too much money on a brand spanking new machine that should be future proof for years to come.
I’ve started using Corel Painter 12 too. I’m not using it exclusively as I don’t feel confident enough with it yet, so I’m switching between it and Photoshop (which I know inside out). I’m pretty happy with the results up to now.

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The Milky Bars Aren’t On Me!

I was in my local supermarket a few days ago when I noticed a display of Nestlé MilkyBars, sporting the new artwork for the redesigned Milky Bar Kid.

A year or so ago, at the beginning of his redesign process, a few illustrators were asked to submit some designs with the idea that the one Nestlé liked best would be given the full commission.

I was one of those illustrators, and was sworn to secrecy about the whole thing.
In the end I didn’t win the commission, but now they’ve launched the new packaging I guess it’s ok to show you what I did.

In retrospect I think the piece may have been a bit too childish for them, as the new artwork looks more subtle and “grown up”.

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Things I’ve found down the back of my couch…

Things I’ve found down the back of my couch:-

  1. Money.
  2. Fluff
  3. Keys
  4. Food, which had long since hardened into something unidentifiable….but still tasted ok.
  5. Glenn Miller
  6. This Blog

I wish I could say that my lack of blogging was due to the fact that I was undertaking a solo expedition of the amazon rainforest, or was helping  protect the mountain gorilla population of Central Africa, or was bringing liberation to the people of North Korea…but I can’t.

It’s really due to a mixture of laziness, illness, and (happily) being very busy indeed.

I thought I’d start by talking about the laziness…..but on reflection I can’t be bothered.

As regards the illness I’m currently getting over a bout of pneumonia, which (for seven weeks) has been great fun for everyone involved. It’s been a laugh a minute in our house.
I’d always thought that pneumonia was caught by the very old or by Victorians, and was initially shocked to come down with an illness from another era. I’m quite used to the idea now though, and next year I’m aiming for scurvy, black death, or perhaps a little scrofula!

All that’s left to talk about is how busy I’ve been, so I thought it was high time I blew the dust off this blog and told you what I’ve been up too.

At the beginning of December I was in Edinburgh signing books with Suse Moore, author of the Power Families series of stories. Suse is a hugely talented writer, and her stories are fab.
We’ve been working together on a number of projects for quite a few years now but have only ever met each other twice, so it was great to meet up in Edinburgh even though I’m pretty sure I got the pneumonia off the unwashed masses I was signing the books for. Dirty beggars…

Ma, Ella, and Flo and Mo.

YOU TOO CAN DRAW LIKE ME! (sort of)
I’ve got a new-ish book out published by Usborne. It’s a colouring-in book all about dragons. aimed at the younger end of the market.

Get your crayons out people.

Now those of you who clicked on the above link might see that the illustrator for the book is listed as Lizzie Finlay; this is a mistake on the part of Amazon.co.uk.
I am not Lizzie Finlay. I am not even Lizzie Finlay at weekends.

In the past five months I’ve also illustrated an educational book for Oxford University Press, and two short story books for Pearson. I can’t show you any artwork for these because, understandably, publishers like to keep any future titles under their hat until they’re properly announced.
If I did put any of the artwork up on my blog they would have to kill me.

Something I can show you is the cover of a book I’m doing for Franklin Watts, all about a little boy who makes a Robot out of his mums pots and pans. Here’s the cover up to now.

Rory's Robot

I’ve just started on the interior pages of the story, and the book is due to come out later this year.

If the rest of this year continues to be as busy as the past five months I’ll be very happy indeed. Let’s hope that I’m not so busy that I can’t update these pages!

I’ll keep you posted.

Possibly.

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Practice, practice, practice.

Despite what you may have read in my last post I still have a number of  removable, external hard drives brimming with artwork.
I am now very careful with these drives.

Each is placed upon a hypo-allergenic, gold-trimmed, velveteen cushion within a climate controlled, dust-free environment (ie a cardboard box on a shelf)

But there are some, however, which I treat like *PLOT SPOILER* Mr Rochester’s first wife; locked away, out of sight and out of mind. I treat them like this because they are full of…”old stuff”.
“Old stuff” can bring me out in a cold sweat. There have been times when I’ve looked at “old stuff” of mine and have let out a little involuntary groan because they are, as far as I’m concerned, terrible.

My “old stuff” includes pictures I drew with a mouse ( feels like you’re trying to paint with a brick ), as well as ones I did before I knew the tricks I know now…even really basic tricks like image-flipping.

If you don’t know about it already, try horizontally flipping your image in Photoshop or hold a mirror alongside it if you work with traditional media. Doing this reveals all the mistakes that you usually wouldn’t notice; over sized hands, skewed faces, wonky eyes etc. The first time I did it to a painting I was horrified! The image, which looked fine and dandy when viewed normally, looked all warped and freaky when mirrored. Thankfully Photoshop let me pull, stretch and tweak it back to something more agreeable before flipping it back to it’s original orientation.

I’m constantly learning new things like the old “flipping” trick, either through trial and error or through tips provided by other illustrators on community forums, so when I see pictures I did years ago it reminds me just how much I’ve improved.
Of course the best way to improve is simply to keep drawing. Practice as much as you can, or are willing to.
The more you draw the better you’ll get.
If I’m between jobs I’ll set about doing new pieces, not only to fatten up my portfolio so that editors have new stuff to look at but to make sure I maintain as high a standard as I possibly can.

Recently I’ve been having a go at doing more black and white work that looks like it’s done in pen and ink but, as usual, was drawn digitally. Actually, doing black and white pieces really reminds me of  using Rotring pens back at art college, but without all the swearing that fills the air when a pen falls nib-first toward the ground.

As Einstein observed;
Ground + delicate pen nib = F*%$!

Most of the black and white stuff I’ve been doing  has been character work, like this.

Character Sketch. Click to Bigify


I love doing this kind of thing. If I’m really enjoying drawing something, I find myself doing sound effects that reflect the subject matter. Laser gun fire, evil cackles, or monstrous roars…PTOO PTOO! GRAAAAARGH!

Oh, hold on…..did I say that out loud?

Anyway, because they’re non-commissioned pieces I can do whatever I want in whatever style I want, and keep up to speed with my drawing. I can play around with ideas and try out new stuff without fear of missing a deadline, and I think the art I do purely for fun undoubtedly adds to the quality of the art I’m actually paid to do.
That’s a “win” all round in my book, and If nothing else all this practising will hopefully keep the “old stuff” style of work exactly where it belongs.

Note:
Out of interest, I recently applied the discrepancy revealing “flipping” technique to an Old Master.

Astounding!

Proof, if ever any were needed.

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Lost files

This is more of an advert than a blog post, and things have been so crazy lately that I’m afraid I haven’t done a picture to accompany it this time.
It has been a near calamitous week for me because three days ago I lost every piece of digital artwork I’ve ever done. Every picture for every publishing house that has ever commissioned me to do so much as a doodle (as well as a few books that are waiting to go to print) disappeared into thin air, leaving nothing but a very,very empty “backup” hard drive behind it and a sickening feeling in the pit of my stomach. To say I was “agitated” is putting it mildly.

I was on the verge of dishing out hundreds and hundreds of pounds to a local computer maintenance firm to rescue my files when I discovered a little gem of a program called Pandora Recovery.

I just can’t begin to explain to you how much it saved my skin! It rescued every file that I thought was lost, and I now have a backup drive of my backup drive.
If you store digital files on hard drives, download it NOW.

Normal blogging will resume as soon as my nerves settle.

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